14 Jan 2019

A Red Moon is no Planet B

Submitted by Kimon

As Red Moon continues to make waves, Kim Stanley Robinson continues to produce articles raising the alarm bell for action on ecological sustainability and social justice, and arguing for world civilization to change direction towards a "Good Anthropocene".

The latest one is for the important and historical NGO Sierra Club: "There Is No Planet B: It's up to us to craft the shape of the future", for a special issue of their magazine on climate change adaptation. Some selected passages:

That future would, in effect, be the story of humanity devoting itself to nurturing the health of the biosphere and creating a sustainable prosperity for all the living creatures on this planet. While not exactly utopia, that future could be called optopia—the "optimal place," the best possible outcome given the current conditions.

[…] "Geo-engineering" is a misnomer. It would be more appropriate to call these attempts at planetary remodeling by another name: geo-tweaking or geo-finessing or geo-begging. These terms better indicate how puny civilization's powers are relative to giant forces such as the chemistry of the oceans, the balance of the atmosphere, and the interplay among millions of species.

[…] Perhaps the most important thing we can do to adapt to climate chaos and the dislocations of the Anthropocene is to rethink the assumptions and revise the rules of corporate capitalism. After all, the current economic order, while massive, isn't permanent or unchangeable. It's a human artifact: We made it over time through a series of power plays and improvisations. And that means we can remake it, if we have the courage to do so.

[…] Essentially, we as a society would be deciding to pay ourselves to do the work needed to create a good Anthropocene. An ecology-minded quantitative easing would be its own kind of geo-engineering. Some are calling this the Green New Deal.

On similar thoughts of global change and need for reform is this article by Robinson at Buzzfeed: "To Slow Down Climate Change, We Need To Take On Capitalism":

the other vast, undeniable truth that goes hand in hand with the reality of our changing climate — the crux and cause of the problem — is that we live under a global capitalist system, in which the market rules. And that system’s oversimple algorithm, which measures priceless things in terms of quarterly profit and shareholder value, is mindlessly chewing up the biosphere and the lives of everyone in it.

[…] So climate change and capitalism are two parts of the same problem; they are effect and cause. And capitalism is not only driving climate change, but also our response to it — by influencing government policy, and the development of new technology, and our basic understanding of the options open to us as we fight for a planet that can sustain life. We need to fix our economic systems, meaning our political systems, in order to fix climate change.

[…] There are even some earlier forms of capitalism that might provide tools we can repurpose. In the system of neoliberal capitalism, as theorized by Milton Friedman and Friedrich Hayek, and legislated in the US and UK during the Reagan/Thatcher years, the market makes our policy decisions. This 40-year experiment in political economy has been a disaster. But before the neoliberal turn, there was Keynesian economics […] Government was seen as not just necessary, but good. […]  After these first steps — carbon taxes, the Green New Deal, carbon burn reductions based on the Paris Agreement — things get murkier, but the trajectory of improvement would make the next steps clearer. And the measures needed to stabilize our climate and avoid a mass extinction event (regenerative agriculture, carbon capture, wildlife stewardship, Mondragón-style co-ops) could lead to — and would require — changes that would create a more sustainable and just civilization: equal rights for women, progressive taxes, universal basic incomes and health care, public education for all, and the return of real political representation.

Optopia as the obtainable utopia? In another article for Commune Magazine, Robinson discusses the concepts of dystopia and utopia and their Greimas rectangle opposites (where the top illustration here comes from): "Dystopias Now".

dystopias today seem mostly like the metaphorical lens of the science-fictional double action. They exist to express how this moment feels, focusing on fear as a cultural dominant. A realistic portrayal of a future that might really happen isn’t really part of the project—that lens of the science fiction machinery is missing.

[…]  For every concept there is both a not-concept and an anti-concept. So utopia is the idea that the political order could be run better. Dystopia is the not, being the idea that the political order could get worse. Anti-utopias are the anti, saying that the idea of utopia itself is wrong and bad, and that any attempt to try to make things better is sure to wind up making things worse, creating an intended or unintended totalitarian state, or some other such political disaster.

[…] As Jameson points out, it is important to oppose political attacks on the idea of utopia, as these are usually reactionary statements on the behalf of the currently powerful, those who enjoy a poorly-hidden utopia-for-the-few alongside a dystopia-for-the-many. This observation provides the fourth term of the Greimas rectangle, often mysterious, but in this case perfectly clear: one must be anti-anti-utopian.

From the global to the more local. Robinson was a keynote speaker at a gathering in Sacramento, in October, organized by UC Agriculture and Natural Resources and UC Water, on outreach for water and climate research.

"There is a strange disconnect between what the scientific community is telling the world and what the world is hearing. As a result of data analysis, science is announcing to the world there is climate change. Individuals cannot perceive climate change. Show them in ways that can be understood by the senses. The story has to be told with pragmatism and common sense."

Turning to interviews, the Chicago Review of Books interviewed KSR about Red Moon: "Kim Stanley Robinson's Lunar Revolution".

The question these days, I think a question that is worldwide, expressed in different places and their different systems, is this: does anyone feel truly represented by their government representatives anymore? As different as China is from the US politically, and the EU is different in another way, that question keeps popping up. Wang Hui calls it “the crisis of representation.” No one is confident they are really represented politically any more, no matter the country. So that was something I wanted to explore in Red Moon—might a moment come when populations in different countries reacted against their governments, or against global finance, at the same time? What would that look like?

[…] A couple of real stories merged for me in the story of Ta Shu’s mother. And I like the birth scene in the book. The point of view of a deeply inexperienced male observer trying to help was easy for me to imagine, having been there myself long ago. And my neighbor and friend Djina is a midwife and gave me lots of good help with imagining some of the lunar ramifications, so to speak.

[…] Writing Red Moon brought me face-to-face with the feeling that China is hard to understand, maybe impossible to understand. I wanted to write that feeling down in some detail. Then also, writing the book gave me another time with my character Ta Shu, whom I had so much enjoyed in my novel Antarctica. And it gave me Fred and Qi and their relationship, not one I had encountered before. I don’t know if that’s a change in perspective or not.

In this recent podcast for Mendelspod, on the occasion of the announcement of gene-edited babies using CRISPR, KSR discusses the enhancement on humans in his novels (see Blue Mars, 2312) and argues that we wouldn't quite know how to approach the problem of doing better than evolution, as far as human cognitive enhancements are concerned.

And here I bring up an interview from last year that I had skipped, on New York 2140, but the themes are still the same, an interview with Truthout: "Toward an Ecologically Based Post-Capitalism":

I have never read a definition of the word “libertarian” that makes any sense to me, nor sounds attractive as a principle, so I avoid that word as much as I can. Maybe “democratic socialism” is the better term for me — the idea being that people in democracies would elect representatives that would then pass laws based on socialist principles. […] There would be more steps later. I usually favor stepwise reform, but I have to admit we need the steps to come really fast, one after the next, now that climate change is about to overwhelm us.

[…] we need the state itself to become just and scientific, and the expression of everyone alive agreeing how to live together. That agreement formalized as laws becomes the state…. Best to focus on creating a good state based on just laws. For getting through the climate change emergency, I think it’s the only way that will work.

Under the guise of a review of Red Moon, New Socialist wrote a full profile of Robinson's political-ecological themes, an excellent read. Some interesting bits:

Robinson’s insistence, through a career spanning more than 30 years, that human ingenuity can open up compelling new forms of life in and against the harshest circumstances and environments, makes him one of the most consistently interesting radical writers working today in any genre.

[…] In other words, he favours doing what works. Red Moon makes repeated approving references to China’s pragmatic, eclectic energy policy, with its massive land restoration programmes and selective use of nuclear power.

[…] For Robinson, there is no pristine wilderness. Life survives through relentless adaptation. But the cautious planetary engineering he advocates is closer in spirit to Fabian technocracy than Soviet prometheanism. Indeed, the Red Mars series offers perhaps the most exhaustive account in literature of the process of transforming another world, and the ethical questions it raises.

KSR's article for his second visit to Antarctica, "Nightmare on the Ice" for Smithsonian Magazine was awarded by the Society of American Travel Writers Foundation!

Plus, some reviews of Red Moon:

And finally, to wrap up this month's link-fest, some reading recommendations from KSR:

  • "Typescript of the Second Origin" by Manuel de Pedrolo, written in 1974 in Catalan, a post-apocalyptic tale of survival and safeguard of cultural heritage, was re-published in 2017 as a trilingual new edition for which KSR wrote the foreword.
  • "Solar Bones" by Mike McCormack, an elegiac novel set in modern-day Ireland written in a single sentence, recommended by KSR in this podcast by Bookriot.
  • "Short Cuts", a short text by Billy Beswick that was just published at the London Review of Books. WeChat, Marxist Society, Utopia, migrant workers, hukou -- it describes some aspects of a fast-changing daily life in China and the disorientation of being a Westerner there, in a similar way to what KSR did in Red Moon!
19 Dec 2018

Are you reading RED MOON over the Christmas break? Or during the Chinese New Year? It must be one of the two, East and West looking at each other, progressively realizing they are not that different. Meanwhile, China has launched a probe, Chang'e 4, to explore The Dark Side of the Moon, and it should be landing in the first days of January 2019 -- in a spot close to the location of Fang Fei's refuge in Red Moon!

Here are some Red Moon excerpts to whet your appetite: Orbit has the first chapters with Fred's landing on the moon (also on Facebook), Syfy has Ta Shu's first impressions of the moon, Hachette also introduces the Analyst and the quantum computer Little Eyeball, and at The Verge Ta Shu goes on a moonwalk with an Earthrise! You can also listen to Fed's moon landing in this clip from the audio book version.

KSR has wanted to write a China-themed novel ever since doing all that research to write The Years of Rice and Salt. Says Robinson (from Syfy):

"I really loved reading Chinese history, Chinese literature. I had never been there but I wanted to write about it again, and what I didn't realize was writing about China in the present and the near future was vastly harder than writing about it in the past."

"It's different from when people ask me, because of my Mars Trilogy, if I'd go to Mars, and I always say no," he revealed. "Because you're talking about five years away from Earth stuck in little rooms and it's not my thing. Now the moon is different! You get there in three days, you spend a while bouncing around looking at Earth and tripping on the strangeness of it and come back home."

He expands in an interview for Space.com:

I went to China myself, because I'd never been there before. It was a very limited visit, or two visits actually. I saw only three cities. I saw Hong Kong, Beijing and a coastal city called Xicao. That at least gave me some personal information and some visual and sensory impressions of what I was writing about.

Truthfully, I don't think [Moon colonization] will change or shape humanity very much at all. I think it will end up being a whole lot like Antarctica.

I think the main thing I want [readers] to take away from my book "Red Moon" is that China is really interesting and important and nobody understands it — and I mean not just Americans, who definitely don't understand it, but even the Chinese people themselves.

It's a big, powerful society in rapid flux. It's unstable and dynamic and it's super interesting. 

As he did with 2312, KSR presents his new novel in this nice little video with infographics from Orbit (which gives us little drawings of the protagonists!):

Wired did an extensive piece on KSR, visiting him in his home town and communal garden and outdoors writing spot, concluding "In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel"! A great read, some excerpts below:

[About cyberpunk vs other science fiction] “I’m gonna blow them away with infodumps. If it’s interesting, it’s fucking interesting.”

Robinson respects the newest generation of sci-fi writers for being “forensic in taking apart capitalism,” he says, but thinks that for stories to stick—to make their way into the hands of congressional staffers (so they’ll tell their bosses) and think tanks (so they’ll turn into policy statements that turn into laws)—the stories have to have heart, too. “You can’t predict,” he says. “But you can push.”

Because of a visa snafu, he had just 71 hours in Beijing, so his hosts careened him across town in a rush to compress, distill, purify an impression of the city—an experience echoed in one character’s mad dash across a Beijing gridlocked by a mass demonstration.

For Goodreads, KSR provides his favourite non-fiction moon literature (maps, photos, and histories) as well as his favourite lunar fiction (from Arthur C. Clarke to John Kessel).

WELCOME TO THE PEAKS OF ETERNAL LIGHT

Two more interviews with KSR on Red Moon, this time audio and video:

You might have seen the excellent National Geographic series "MARS", which fuses fiction sequences with documentary interviews. It is essentially a Red Mars, however sans some more challenging themes (politics, ecology)... however that might be different in the series' new season, which first aired in November-December. Indeed, things on/in Mars get more political, and KSR is interviewed in its second season!

Finally, here is the recipe for a sake & vodka-based cocktail to go with your Red Moon!

And as always, to wrap up this update, here are some reviews of Red Moon - but careful of spoilers!

(Photo: the new Shenzhou Ferry Terminal at Shekou inaugurated in 2016, which might be familiar to readers...)

20 Oct 2018

Kim Stanley Robinson's new novel comes out in barely a few days - RED MOON will be available from Orbit USA & UK in hardback, ebook and audiobook from October 23!

But first I wanted to showcase two examples of a vibrant community-building readership of Robinson's novels!

"Marooned on Mars with Matt and Hilary" is an on-going podcast that looks at each chapter of the Mars trilogy in detail! They are more than mid-way through Green Mars, and it's great to see these twenty year old books get the podcast treatment. In their latest podcast, Matt and Hilary meet Stan himself around a nice dinner! You can also support them with a small donation.

Through the past summer, Bryan Alexander animated a book club around New York 2140, where they looked at each individual part! This generated a lot of discussion and a plethora of links and further reading suggestions, do check it out.

More of these initiatives are sure to pop up in the future and we we are certainly going to cover them here!

On to some recent interviews with Stan:

As part of The Guardian's "Overstretched Cities" feature, Stan wrote a polemic article: "Empty half the Earth of its humans. It's the only way to save the planet". Taking inspiration from EO Wilson's book, Half Earth.

The idea is right there in the name: leave about half the Earth’s surface mostly free of humans, so wild plants and animals can live there unimpeded as they did for so long before humans arrived. Same with the oceans, by the way; about a third of our food comes from the sea, so the seas have to be healthy too.

This vision is one possible format for our survival on this planet. They will have to be green cities, sure. We will have to have decarbonised transport and energy production, white roofs, gardens in every empty lot, full-capture recycling, and all the rest of the technologies of sustainability we are already developing. That includes technologies we call law and justice – the system software, so to speak. Yes, justice: robust women’s rights stabilise families and population. Income adequacy and progressive taxation keep the poorest and richest from damaging the biosphere in the ways that extreme poverty or wealth do. Peace, justice, equality and the rule of law are all necessary survival strategies.

All this can be done. All this needs to be done if we are to make it through the emergency centuries we face and create a civilised permaculture, something we can pass along to the future generations as a good home. There is no alternative way; there is no planet B. We have only this planet, and have to fit our species into the energy flows of its biosphere. That’s our project now. That’s the meaning of life, in case you were looking for a meaning.

In These Times spoke with Robinson about Mars, our own fragile planet and his hopes for a robust space science program. In case you were wondering:

Elon Musk mentioned that having a reserve population in outer space—on the moon or on Mars—could be helpful in case World War III devastates humanity. Is this a viable solution? Or might the rich leave for space while the rest of us suffer?

Billionaires moving to space is not just similar to a sci-fi plot—it is a sci-fi plot, and not very realistic. It has to be said: There is no Planet B. It’s here for us, or nowhere. But really, that is very obvious. Very few people actually believe that setting up a small settlement on Mars is an adequate safeguard or mitigation for the damage we are doing here on Earth. Those who do are fooling themselves.

What does post-capitalist space exploration look like?

It looks like NASA. It’s government, exploring a commons of sorts, doing it in the usual “of the people, by the people and for the people” way.

Speaking of space exploration, Aurora got an unexpected increase in fame coming from a space/sci-fi-friendly reader: Tom Hanks, who tweeted about it to his large audience! "What a Saga! SciFi with honest, complex Humanity, Physics, biology, sociology. Never had the feeling I experienced on page 321. K. S. Robinson, you rocked our “world”... Hanx" Stan reacted for Sactown: "It was a total surprise. I once heard a rumor that he liked the Mars books. It was definitely a fun thing to see."

Back on Earth, Stan was also interviewed by the Italian SF&F site Nuove Vie, where he mainly talks about New York 2140 and his writing style. The interview is here in Italian, below is an extract in English:

In this case, I told my editor Tim Holman that I wanted to write about global finance, and he suggested that to write a novel about something so abstract I should set it in a tangible place, and he reminded me of the drowned New York that appears briefly in 2312, and pointed out that a novel about finance could sensibly be set in New York, a world center of finance capitalism.  Then he also suggested the apartment novel format as a way of portraying all kinds of lives in this drowned city.

There's no better insight into Stan's daily life than to get him to talk about gardening and preparing meals! In this article for Plymouth University's Imagining Alternatives, he explains why "Enough is as good as a feast"

I’ve lived in a small alternative community for the past twenty-seven years. 

[…] Organic gardening space is available to all who want it, and the landscaping is mostly edible in the form of fruit and nut trees.

[…] Taken all in all, it’s not paradise or utopia or the housing solution to the world’s ills, but it is nice, and for me it has proved the idea that urban design influences social reality, and that infrastructure helps to determine social and human relations.

[…] the loosely vegetarian orientation of our Village Homes potlucks felt good, for the reasons cited above, both environmental and animal-moral.  The variety of cooking styles at each meal was huge and made the absence of meat barely noticeable—really the meals were a treat for the senses.

[…] We were social primates doing a social primate thing.

A funny little interview: ten years after the great environmental animation film "Wall-E" came out, Marketplace asked Stan's impression of the film:

“[WALL-E] begins to make all kinds of mature adult decisions. He falls in love, does radical things, joins a revolution and overthrows the social order that already exists,” Robinson said.

Also of interest:

Prose and music! "A Forest Unfolding" was a musical project in New Hampshire. "Novelist Richard Powers presides over a collaborative effort involving four composers, four writers, and an ensemble of instrumentalists and singers. […] Four writers—the environmentalists Bill McKibben and Joan Maloof, along with the novelists Richard Powers and Kim Stanley Robinson—selected prose passages and poems on the relations among people and trees.  They presented these selections to four composers—Eric Moe, Melinda Wagner, Stephen Jaffe, and David Kirkland Garner—who set these words into a linked sequence of recitatives and arias.  The resulting whole traces a narrative arc from human estrangement from nature to a glimpse of the endless cooperation that knits a forest together."

Stan was the judge of the second edition of "Everything Change Climate Fiction Contest" of short stories for Arizona State University's Imagination and Climate Futures Initiative! Top winners will be published in a free digital anthology in fall 2018.

Stan will be participating in an architecture-meets-science-fiction master's program at UC Berkeley: "UC Berkeley architecture professor Nicholas de Monchaux and BLDGBLOG author Geoff Manaugh will teach a special, one-year graduate course, titled “Studio ONE,” focused on the intersection of architecture and science fiction."

2312 has been translated in Turkish, and its translator talks at length of all the issues with dealing with a novel that has such a varied and specialized vocabulary!

Blue Mars's translation in Japanese was nominated for the 2018 Seiun Award for best translated novel.

We will be back soon with news around Red Moon!

(Top image from A Forest Unfolding)

31 May 2018

Kim Stanley Robinson's next novel, "RED MOON", is set for publication in hardcover by Orbit in October 2018 (October 23 for US, October 25 for UK).

Remember Ta Shu from Antarctica? Refresh your memory because he is back! Remember the quantum AIs from 2312? Prepare to meet their ancestors! You might also want to have a crash course in pinyin.

The official synopsis reads:

IT IS THIRTY YEARS FROM NOW, AND WE HAVE COLONIZED THE MOON.

American Fred Fredericks is making his first trip, his purpose to install a communications system for China's Lunar Science Foundation. But hours after his arrival he witnesses a murder and is forced into hiding.

It is also the first visit for celebrity travel reporter Ta Shu. He has contacts and influence, but he too will find that the moon can be a perilous place for any traveler.

Finally, there is Chan Qi. She is the daughter of the Minister of Finance, and without doubt a person of interest to those in power. She is on the moon for reasons of her own, but when she attempts to return to China, in secret, the events that unfold will change everything - on the moon, and on Earth.

RED MOON is a magnificent novel of space exploration and political revolution from New York Times bestselling author Kim Stanley Robinson.

And no, this is not the zany George "Freds" Frederickson from Escape From Kathmandu!

The cover was revealed by Orbit in March, and was designed by Lauren Panepinto.

And here is how the novel opens:

Someone had told him not to look while landing on the moon, but he was strapped in his seat right next to a window and could not help himself: he looked. Quickly he saw why he had been told not to—the moon was doubling in size with every beat of his heart, they were headed for it at cosmic speed and would certainly vaporize on impact. A mistake must have been made. He still felt weightless, and the clash of that placid sensation with what he was seeing caused a wave of nausea to wash through him. Surely something was wrong. Right before his eyes the blossoming white sphere splayed out and became a lumpy white plain they were flashing over. His heart pounded in him like a child trying to escape. It was the end. He had seconds to live, he felt unready. His life flashed before his eyes in the classic style, he saw it had been nearly empty of content, he thought But I wanted more!

The elderly Chinese gentleman strapped into the seat next to him leaned onto his shoulder to get a look out the window. “Wow,” the old one said. “We are coming in very fast, it seems.”

The white jumble hurtled toward them. Fred said weakly, “I was told we shouldn’t look.”

“Who would say that?”

Fred couldn’t remember, then he did: “My mom.”

“Moms worry too much,” the old man said.

“Have you done this before?” Fred asked, hoping the old man could provide some insight that would save the appearances.

“Land on the moon? No. First time.”

“Me too.”

Release in five months...

In other news: New York 2140 has been nominated for both Hugo and Locus Awards!

13 Mar 2018

In 2014, Kim Stanley Robinson had participated in an expedition to name a peak in the Sierra Nevada as Mount Thoreau! That feat and feast is now celebrated in "Naming Mt. Thoreau" (Artemesia Press; at Amazon) -- a collection edited by Laurie Glover and with a cover by the great Tom Killion, illustrating this article (he also did the cover to Rexroth in the Sierra).

Naming Mt. Thoreau is a collection of essays that arose from the simple undertaking of ascending a mountain; it is a meditation on friendship and influence, proximity and distance. Composed of a series of essays, poems, and photographs, this volume contains contributions from Michael Blumlein, Dick Bryan, Darryl DeVinney, Hilary Gordon, Tom Killion, Paul Park, David Robertson, Kim Stanley Robinson, Carter Scholz, Gary Snyder, and Christopher Woodcock.

This compilation's authors started out to rename USGS peak 12,691 Mt. Thoreau to honor Henry David Thoreau for his writing that has been so important to generations of Americans seeking to define their relationship to wilderness and nature. Taking their cues from Thoreau, they offer this collective set of texts and images as a call to close attention. Not just to what is present but to what is not, but still is.

Here is also a video of a celebration of Mt. Thoreau at the Davis Arts Center from February 2017 with many contributors to that book.

Halfway around the globe: Stan wrote about his experience of visiting Antarctica again (after that 1995 trip that inspired the novel Antarctica) in an article for the Smithsonian -- "The Daring Journey Across Antarctica That Became a Nightmare" -- which recounts the "Worst Journey in the World", the Cherry-Garrard side-expedition within Scott's failed journey to the South Pole in 1911, the amazing and proverbial feat of survival amid an Antarctic winter night, all done with a scientific purpose. The article features beautiful black and white photos by Shaun O'Boyle. Stan's account ends with his own visit in these historical places, at the makeshift rock "hut" they made at Igloo Spur, Cape Crozier:

The view from the ridge was immense, the sunlight stunning, the wind exhilarating. I tried to imagine keeping your wits about you in a wind like this one, in the dark; it didn’t seem possible. Confused and scattered though I was, I still felt sure we were at a holy place, a monument to some kind of brotherly craziness, a spirit I could feel even in the blazing sunlight. The wind brought it home to me, slapping me repeatedly with what they had done: Five days here in the howling night, in temperatures maybe 60 degrees lower than the bracing zero that was now flying through us. It was hard to believe, but there the stone ring lay before us, shattered but undeniably real.

(Bonus: reader feedback on Emperor penguin eggs!)

Now, change of scope: Stan was interviewed by Big Echo and discusses science fiction, politics, Marx, revolution, Braudel, history, race/gender/class, and all that -- a very interesting read indeed! This is part of a series of interviews with SF writers on the occasion of the sesquicentenary of the publication of Marx's The Capital. Some extracts:

I definitely think there are two parts to Marx. In one, where he is analyzing the past, he is a historian and philosopher, and one of the best and most important ever to have lived. In the other, when he either predicts the future, declaring it is determined, or else calls for a particular future by way of choice and action, he is being a science fiction writer. Even a utopian science fiction writer. I say this because I think the future is radially unpredictable, and anyone who begins to talk about the future in any detail is by that very act doing science fiction of one sort or another.  No one is any good at prediction, but there can be interesting science fiction nevertheless. 

So I was very lucky in my teachers, and I read widely, and I was part of the Sixties generation, including the California New Age hippie Buddhist mountaineering element. I am a very characteristic example of my place and time, greatly influenced by my friends and my era. [...] My project is to be a novelist, and to try to write good novels, to be a good artist. That’s it for me, first and last. A very bourgeois romantic hippie Buddhist Californian goal in life, I know. But also, if trying for that means telling revolutionary stories, as so often it seems to me, then I do that. [...] I’ve been trying to model a historical vision that sees science as utopian, and thus opposed to capitalism, rather than complicit with, and even a tool of capitalism.

There is no such thing as a feminist capitalism, there is no such thing as a non-racist capitalism. Every leftist must needs be a feminist and anti-racist, it’s part of the definition of the left [...] As a straight white American male artist, getting older, I have been interested to figure out how I can help make a better world, having lived a life of incredible privilege and luck when compared to most human lives so far. It’s not obvious how to do this, especially since my chosen art form, the novel, has historically been a form about the bourgeoisie and their problems.

we make assumptions about the rate of change that will occur in the future. This is simple enough to be graphed: we often talk about “straight line extrapolation” in which the rate of change persists as it is, then there is accelerating change, and also decelerating change, less often mentioned, as change has been accelerating for a while now. But the logistic curve, a kind of big S in which slow change eventually accelerates and speeds up, but then hits various physical constraints or the like, and slows down again, is a very common phenomenon in nature. I find reasons to believe that the logistic curve will probably describe the rate of change in human history— but when will the curves in this big S graph occur? No one can say.

KSR was also interviewed by The Source Code podcast about Mars colonization and the economics of space exploration!

Along with five other science fiction authors, KSR shared his thoughts on his craft and the art of writing science fiction today in an article for Nature. Extract:

Here’s how I think science fiction works aesthetically. It’s not prediction. It has, rather, a double action, like the lenses of 3D glasses. Through one lens, we make a serious attempt to portray a possible future. Through the other, we see our present metaphorically, in a kind of heroic simile that says, “It is as if our world is like this.” When these two visions merge, the artificial third dimension that pops into being is simply history. We see ourselves and our society and our planet “like giants plunged into the years”, as Marcel Proust put it. So really it’s the fourth dimension that leaps into view: deep time, and our place in it. Some readers can’t make that merger happen, so they don’t like science fiction; it shimmers irreally, it gives them a headache. But relax your eyes, and the results can be startling in their clarity.

KSR was among those that sent their appreciations about the death of Ursula K. Le Guin, appearing in the March issue of Locus. More appreciation for UKL (before her passing) with KSR promoting "The Left Hand of Darkness" as one of his favorites, in an article for Science Friday.

George R. R. Martin's and KSR's panel at the Arthur C. Clarke Center for Human Imagination from last May is now available as a podcast.

More news -- "Red Moon" and beyond -- soon!...

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