29 Jun 2013

The big news is that Kim Stanley Robinson's latest novel, 2312, has won the Nebula Award for Best Novel! This is Robinson's first Nebula win after Red Mars! At the same ceremony, Gene Wolfe was the recipient of the 2012 Damon Knight Memorial Grand Master Award, and appropriately enough Stan's acceptance speech was centered on congratulating Wolfe as well! As covered earlier, there are more awards ceremonies coming in the rest of the year!

(Nebulas 2013 winners)

This is no longer 2012 and the 'exactly 300 years in the future' setting no longer works, but 2312 is still a new novel -- I've even seen typos from readers mentioning it as 2313! 2312 has also just been released in mass market paperback in the UK and as far as I can tell the USA as well (June 25 2013) by Orbit. It has also just been published in Spanish, for Spain and the whole of Latin America (June 18 2013) by Minotauro.

(Kim Stanley Robinson, Gene Wolfe, David G. Hartwell)

A number of interviews have surfaced on the occasion of the Nebula:

Sword and Laser interviewed Stan at the SFWA Nebulas event, actually a few hours before what proved to be a win! Stan speaks about a lot of his novels, not just 2312 and the Mars trilogy, and in the middle of the SFWA Nebulas Weekend there are a lot of laughs to be had (direct mp3 download).

Big part of the July 2013 issue of Popular Science (print & online) is dedicated to views of the future. It has an extended excerpt from 2312 and an article with predictions on how life will be in the future by various authors, as well as beautiful artwork. Kim Stanley Robinson is featured:

Many problems in travel around the solar system were solved when asteroids were adapted to the task. Thousands of ovoid asteroids were hollowed out so that their insides were empty cylinders, and then they were set spinning on their long axes to create a gravity effect inside. Crews and passengers live at one g, well protected from cosmic radiation, and move in orbits around the solar system like giant ocean liners. They never slow down, and catching up to one in a little ferry can be a crushing experience, as your reporter recently learned.

Each asteroid contains a particular biome, filled with the plants and animals from particular landscapes back on Earth. Some are more aquarium than terrarium. If species have been mixed to make a mongrel biome, as has happened on Earth since the first living creatures migrated from one ecosystem to another, the result is called an Ascension, after Ascension Island in the South Atlantic. The island was bare rock until HMS Beagle landed there, and Darwin himself planted a variety of plants which have since prospered.

By a nice coincidence, your reporter’s recent voyage was on the Wegener, an Ascension asteroid composed of plants and animals from West Africa and eastern Brazil. It is a beautiful space, highly recommended, but all the terraria are gorgeous in their own ways—in effect, floating works of landscape art.

Take a trip on one and see!

Robinson talks about what the process was to create 2312 -- from character temperaments to world-building to history to form -- to writer Mary Robinette Kowal:

I had recently written an introduction to John Brunner’s excellent Stand On Zanzibar, which had solved a similar problem by using the method invented by John Dos Passos in his great U.S.A. trilogy. [...] So, I adapted all the strands to my own purposes. My main strand follows my characters Swan and Wahram and Genette. The newspaper columns I turned into extracts from all kinds of unidentified texts, and I cut all these texts into minimal pieces to imitate how we read online, linking from one source to the next as we pursue the information we want. The biographies of famous people I had to alter somehow, because I don’t think pocket biographies of fictional people can be as interesting as the same for real people; so I had my biographies be of moons and planets and big spaceships, as these were in effect historical actors in my story. Then lastly I made the camera eye strand be the stream of consciousness of a quantum computer, put in an android body and let loose in the world for the first time.

Stranger Than Fiction, a podcast from Slate, the New America Foundation, and Arizona State University, has interviewed Robinson about the politics of science fiction, how robots have historically represented wage workers, and why we need to right Earth before we head to Mars: "Mars is a good 23rd-century project" (direct link to SoundCloud).

(Kim Stanley Robinson viewed through his Nebula Award)

The Atlantic also interviewed Robinson prior to the Nebula win, on 2312, science fiction versus futurology, Buddhism, Mondragon co-ops, capitalism, why the current time period is named "The Dithering" in 2312's future history...

Capitalism is a system of power and ownership that privileges a few in a hierarchical way, and it has in it no good controls or regulation concerning its damage to the biosphere, so to deal with the environmental catastrophes bearing down on us, we have to impose our will as a civilization on capitalism and make it do what we want civilization to do now, which is to create a just and sustainable human interaction with the biosphere and each other.

So this suggests legal changes imposed by democratic government, which are more and more urgently needed. The free market can't do it because it isn't free, but in fact a particular legal system completely inadequate to the situation, and the prices we concoct for things are completely unresponsive to physical realities.

So we are in quite a bit of trouble here, because capitalism is a cultural dominant and the current global way of conducting things, world law, and yet completely inadequate to the situation we face.

[...] So it is tricky work. But I am saying that democracy and science are stronger than capitalism. It is an assertion we are going to have to test to see if it is true or not. It will be a fight. It is the fight of the 21st century like the fight against totalitarianism was the fight of the 20th century. Indeed we did not definitively win that fight, because capitalism is a new kind of totalitarian system, fully capable of buying up democracy and science, and trying now to do so. So it is a tricky fight, but necessary work for us all.

A video of the Humanity+ conference from last December found its way to YouTube. Watch Stan argue for "Humanity minus" in front of a crowd veering more towards transhumanism and the high-tech cyborg.

Kim Stanley Robinson was also invited on a reading of "The First Woman on Mars" by Ron Drummond on the occasion of the release of #13 of White Fungus, a Taiwan-based magazine (Saturday, May 4, 2013 from 3-5pm Reading from “The First Woman on Mars” by Ron Drummond Conversation with Kim Stanley Robinson, author of the Mars Trilogy Venue: KADIST, 3295 20th Street, San Francisco, CA 94110):

Contributing author Ron Drummond read from his essay/fiction hybrid, “The First Woman on Mars,” a story that proposes an original Mars settlement scenario with the potential to serve as the inspirational and “dramatic centerpiece” to unite all human endeavors in space. He was joined by Kim Stanley Robinson, the science fiction writer and award-winning author of the Mars Trilogy and 2312. Together they discussed the social, economic, and political implications of the human push into space and efforts to colonize Mars, as well as the ecological and sociological sustainability of life on the red planet and elsewhere in the solar system.

Video of the Drummond reading.
Video of Stan on the idea of living on Mars.

Some additional reviews for 2312 are still popping up: Breaking It All Down (video); Dark Matter; TPI's Reading Diary; and an article on reviews bias by the Economist.


Most notably, Kim Stanley Robinson participated in the publication by the Worldwatch Institute's "State of the World 2013: Is Sustainability Still Possible?" The Worldwatch Institute is a research institute/think tank: "Through research and outreach that inspire action, the Worldwatch Institute works to accelerate the transition to a sustainable world that meets human needs. The Institute’s top mission objectives are universal access to renewable energy and nutritious food, expansion of environmentally sound jobs and development, transformation of cultures from consumerism to sustainability, and an early end to population growth through healthy and intentional childbearing."

"State of the World 2013" is a large book that covers large issues with contributions from many experts:

The first section, The Sustainability Metric, explores what a rigorous definition of sustainability would entail, helping to make this critical concept measurable and hence meaningful.

[...] The second section of the book, Getting to True Sustainability, explores the implications of the gaps that remain between present realities and a truly sustainable future.

[...] And so the book’s third section—Open in Case of Emergency—takes on a topic that most discussions of sustainability leave unsaid: whether and how to prepare for the possibility of a catastrophic global environmental disruption.

Stan contributed with a chapter of his own: "Is it too late?"

The book and its concepts were presented on several occasions in the USA and Europe. On April 16, there was a State of the World 2013 Launch and Symposium at Washington DC, with panels by: “Beyond Sustainababble” by Worldwatch President Robert Engelman, Panel on “Getting to True Sustainability,” Panel on “Getting Through the Long Emergency,” Keynote by science fiction author Kim Stanley Robinson, and Closing Reflections by Town Creek Foundation Executive Director Stuart Clarke.
The whole can be seen as a playlist on YouTube (Robinson's video only).
The authors also spoke shortly one-on-one videos (playlist; Robinson).

The same theme, "Is it too late?", was used in a Robinson article in The Sacramento Bee:

No. It is not yet too late. It is physically possible to shift infrastructures, technological arrays and social systems in ways that would make them so much cleaner than what exists now, especially in carbon terms, that extinctions would not soar, food shortages would not occur, and 7 billion or even 9 billion humans could share the planet with other living creatures in a healthy way. But that's not easy to do. We will do some things wrong. There will be human suffering, there will be suffering among the other creatures on Earth. There will be extinctions. We are going to do damage in the 21st century, possibly big damage. And unfortunately, unlike Wile E. Coyote, we won't get infinite chances to fall and try again. So the question should be changed from the disempowering question, "Is it too late?" to, "How much damage will we let happen?" Then we could flip that revised question to its positive formulation: "How much will we save? How much of the biosphere will we save?" That's the real question.

Robinson also recently spoke to students of Davis High School -- funny to read him described as "local science fiction author", KSR right down the street!

A man with greying hair and rectangular glasses stands in front of an auditorium of students in the Davis High IPAB on May 7. He’s wearing ordinary clothes: a tucked-in plaid collared shirt and slightly wrinkled khakis. The only visible sign of his unique and spirited character is shown in a leather belt with a bright blue stone set into the buckle. The auditorium quiets to hushed whispers and then silence under the observant gaze of Kim Stanley Robinson.

(Photos by Carrie S, and Omnivoracious; also, Robinson and Joe Haldeman)

18 May 2013

Awards Season: 2312

Submitted by Kimon

With 2312 presently one year old and Shaman fast approaching, there have been plenty of Science Fiction & Fantasy awards nominations! In detail:

  • James Tiptree Jr Award 2012

An award for SF&F "that expands or explores our understanding of gender"... particularly topical for 2312! 2312 had been nominated for:

1) It joyfully imagines a post-binary-gender world in which parents elect to have their children treated, while in the womb, to ensure that they will grow up with a mix of gender characteristics. And it provides a social and economic justification for them doing this.
2) Variations on gender/sexuality are not a main component of the plot exactly but the idea of gender play is fully part of the cultures...not a winner I would think but worthy of a mention perhaps...seems to be an example that fits the intent of the Award: authors that go beyond the present for gender/sexuality.

However, it lost to Caitlin R. Kiernan's The Drowning Girl and Kiini Ibura Salaam's Ancient, Ancient. 2312 is still in the Honor List.

Robinson had been previously nominated for Red Mars (1992) and his short story "Sexual Dimorphism" (in The Martians; 1999).

  • British Science Fiction Association Award for Best Novel 2012

Where it lost to Adam Roberts' Jack Glass.

Robinson had been previously nominated for The Gold Coast (1989), Green Mars (1993), Blue Mars (1996), The Years Of Rice And Salt (2002) and Forty Signs Of Rain (2004) and had won for Red Mars (1992).

  • Arthur C. Clarke Award 2013

Where it lost to Chris Beckett's Dark Eden.

Robinson had been previously nominated for The Memory Of Whiteness (1987), Red Mars (1993), Blue Mars (1997), The Years Of Rice And Salt (2003) and Galileo's Dream (2010).

  • Nebula Award for Best Novel 2012

Which is announced on May 18 (today!) in the Nebula Awards Weekend May 16-19 in San Jose, California, where Gene Wolfe will also receive the Damon Knight Memorial Grand Master Award.

Robinson had been previously nominated for The Wild Shore (1984) and Green Mars (1994) and had won for Red Mars (1993).

  • Locus Award for Best Science Fiction Novel 2013

Which will be announced by Connie Willis in the Locus Awards Weekend in Seattle, Washington, June 28-30.

Robinson had been previously nominated for The Gold Coast (1989), Red Mars (1993), Antarctica (1998), Forty Signs Of Rain (2005), Fifty Degrees Below (2006) and Galileo's Dream (2010) and had won for Green Mars (1994), Blue Mars (1997) and The Years Of Rice And Salt (2003).

  • John W. Campbell Memorial Award for Best Science Fiction Novel 2013

Which will be announced June 14 at the Campbell Conference in Lawrence, Kansas.

Robinson had been previously nominated for The Gold Coast (1989), Blue Mars (1997) and Galileo's Dream (2010) and had won for Pacific Edge (1991).

  • Hugo Award for Best Novel 2013

Which will be announced in the World Science Fiction Convention in San Antonio, Texas (Aug-29 to Sep-02). Interestingly, last time Robinson had won, for Blue Mars in 1997, it was also in San Antonio!

Robinson had been previously nominated for Red Mars (1993) and The Years Of Rice And Salt (2003) and had won for Green Mars (1994) and Blue Mars (1997).


So we the jury is still out on most of the awards, but 2312 already holds a particular kind of record: it is one of the few (the only one?) to have been nominated for all of the major SF&F awards! (The only exception could be the Philip K Dick award, for which The Wild Shore had been nominated, but as this one is dedicated to books originally published in paperback form, 2312 is not eligible.)


Meanwhile, here are some more 2312 reviews:

18 Mar 2013

The SHAMAN cover has been unveiled by Orbit Books! Artwork by Michał Karcz. (Click for higher quality)

Coming in September 2013...

Here's a round-up of Kim Stanley Robinson's upcoming appearances over April-May in fairs, panels and parties:

Check out the calendar on the left for updates!

Hear an excerpt the audiobook for 2312 here and read another review here.

2 Mar 2013

An entire double-issue of the Configurations journal (Volume 20, Number 1-2, Winter-Spring 2012) that just came out is dedicated to Kim Stanley Robinson's work, and comes to enrich the collection of academic essays and analyses on KSR with not just the "usual" focus on the Mars trilogy, but on Science in the Capital and Galileo's Dream as well! Here is the awesome list of articles:

  • Introduction (Lisa Yaszek, Doug Davis)
  • “How to go forward”: Catastrophe and Comedy in Kim Stanley Robinson’s Science in the Capital Trilogy (Robert Markley)
  • Archaeologies of the “Amodern”: Science and Society in Galileo’s Dream (Sherryl Vint)
  • Greener on the Other Side: Science Fiction and the Problem of Green Nanotechnology (Colin Milburn)
  • Making Huckleberries: Reforming Science and Whiteness in Science in the Capital (De Witt Douglas Kilgore)
  • Reading and Revolution on the Horizon of Myth and History: Kim Stanley Robinson’s Mars Trilogy (Kenneth Knoespel)
  • Notes on Extinction and Existence (Eugene Thacker)
  • Possible Mountains and Rivers: The Zen Realism of Kim Stanley Robinson’s Three Californias (Istvan Csicsery-Ronay Jr.)
  • “Science’s Consciousness”: An Interview with Kim Stanley Robinson (Doug Davis, Lisa Yaszek)
  • Kim Stanley Robinson Maps the Unimaginable: Critical Essays by William J. Burling (review) (Jason W. Ellis)
  • 2312 by Kim Stanley Robinson (review) (Kathleen Ann Goonan)

After the recent BASFA nomination, 2312 was just nominated for the 2013 Nebula Award for best novel! Though I have to say, it might be an SF and Fantasy award, but looking at the rest of the nominees I don't see much SF...

In December, Stan was invited in the Humanity+ conference in San Francisco. His talk, on science as a utopian project and essentially arguing against the technological "high" or the obsession with technology for technology's sake, came out on Youtube.

Some more 2312 reviews here and here.

2312 translations are coming! It will be released in German (Randomhouse/Heyne, paperback) on 11 March 2013. It's set to be released in June 2013 in Spanish (Minotauro). No news from the French, who are usually the first. AST (Russia) and Fabryka Slow (Poland) have optioned the rights but no date has yet been announced.

Stan wrote an article for Arc, a digital quarterly from the makers of New Scientist. In issue 1.4, "Forever alone drone", "Unreliable Narrator" column, Stan's feature is "Shedding skins". Klaus Tiedge illustrates (photo on the right). A short excerpt:

Back in the 1970s, when I like many other hippies began to backpack in the Sierra Nevada of California (the greatest backpacking mountains on Earth, but that’s a topic for a different essay), backpacks often weighed fifty pounds, and when I took mine off at the end of a day’s walk and flexed my shoulders, it sometimes felt like I was going to float off into the sky.

So all along there were people thinking things could be different – in a word, lighter. And as the years have passed, my aging cohort has gotten too brittle to carry the old weights happily, while at the same time younger hikers have been attempting continent-crossing feats that have transformed backpacking from a hippie ramble into a postmodern extreme sport. These long-distance hikers often walk more than a marathon every day for months on end, and for them every ounce matters. So a new design ethos has sprung into being to serve this need. The important thing to note here is that it came about as a result of a shift in people’s desires and in their thinking about what matters, not from a change in materials, or from some kind of inherent technological progress operating on its own. The raw materials have gotten a little stronger and lighter, but not much; they are still mostly nylon and down and various light metals. And really there’s no such thing as inherent technological progress. It’s our philosophies that change, and then we act on them. This is what makes the ultralite movement suggestive when we go on to think about the rest of our lives. Because we always carry our houses, one way or another.

Kim Stanley Robinson will be appearing at the University of Arizona on April 5, on Convergences and the technological sublime.

Noted science fiction author Kim Stanley Robinson will be the capstone for the Convergences themed-year program.  Convergences has focused on The Technological Sublime 2.0 and has been facilitated by Christopher Cokinos.  Robinson will read on Friday, April 5, at the Poetry Center.  Time is likely going to be 7 p.m. but stay tuned for more details. The author of such notable works as the Mars trilogy, The Years of Rice and Salt, The Wild Shore: Three Californias and, most recently, 2312, Robinson is an internationally known writer who brings an incisive mind and literary style to his science fiction.  Kim Stanley Robinson is a winner of the Hugo, Nebula, and Locus Awards and holds a Phd in English from the University of California, San Diego, where he studied with Frederic Jameson and wrote about the novels of Philip K. Dick.

See the calendar (left) for more details.

That's all for now!

4 Feb 2013

"SHAMAN", or rather "Shaman: A novel of the Ice Age", has a synopsis:

An award-winning and bestselling SF writer, Kim Stanley Robinson is widely acknowledged as one of the most exciting and visionary writers in the field. His latest novel, 2312, imagined how we would be living 300 years from now. Now, with his new novel, he turns from our future to our past - to the paleolithic era, and an extraordinary moment in humanity's development. An emotionally powerful and richly detailed portrayal of life 20,000 years ago, it is a novel that will appeal both to his existing fans and a whole new mainstream readership.

From a short interview in the Sacramento Bee, Stan said:

I'm finishing a novel set in the ice age, about the people who made the paintings in the Chauvet-Pont-d'Arc Cave in southern France, about 32,000 years ago. I do a lot of snow camping in the Sierra, and I put my snow knowledge into it and tried to explain how we became who we are now. It's only science and archaeology that allow us to write historical fiction with any accuracy. So it's kind of science fiction in a way.

Shaman will be released (in hardcover) on September 3, 2013! (at least in the UK)
2312 will be released in paperback on June 25, 2013!

Kim Stanley Robinson's latest novel, 2312, has been nominated for the year's British Science Fiction Award for Best Novel! We wish it the best.

2312 continues to collect some excellent reviews as time goes by and more people absorb the tons of layers and issues it tackles.

Robinson confronts the stark divide between those who enjoy the privilege of becoming utterly free and those who don't—caught in the meshes of history that won't allow everyone to go their own way. Swan, during a visit on Earth, rails at the people in a bar in Ottawa, "We're on Earth! You have no idea what a privilege that is. You fucking moles! You're home! You can take all the spacer habitats together and they'd still be nothing compared to this world! This is home" (p. 418). Swan actually uses the word "privilege," which by this point in the novel can only strike readers as painfully ironic. The privileged mostly don't live on Earth, but in space habitats. Earth represents misery and squalor and social and ecological devastation that can't be escaped. Swan doesn't understand this difference except in the most abstract terms.

  • A review by Harry Tortilla that attempts to critically assess why the "utopia" described in 2312 is unrealistic, but in my opinion seems to be missing the point.
  • An article on the legal ramifications of space transport using 2312 as a basis.
  • Short reviews by Sci-Fi Stuff, Muse's Books, Hooloovoo

Stan was interviewed for the British Interplanetary Society's e-magazine, Odyssey (Issue 24). Odyssey is available via subscription to the BIS. Still, here's a short bit to hook you:

Which character from the Mars trilogy do you most resemble?
If any, which I doubt, it would surely be one of the more boring secondary characters, like Art. There isn’t anyone in that story based on someone like me, which is something I’ve done in some other books of mine. I’m sure the Mars books are better off because of that.

In a series on Creating the Future, Mendelspod features a great interview with Stan, by Theral Timpson, who also wrote an article to accompany the interview, available in both video and audio, conducted in Stan's home in Davis, CA. Pictured above: Stan at his writing table at his home. What he holds is probably the Acheulian axe from Fifty Degrees Below... and I suppose from Shaman too!

I haven’t read or met many sci-fi writers with whom to compare Robinson, but he, and his writing, strike me as very grounded. [...] He was eager to show us his writing station located outside his front door, where he writes, rain or shine, warm or cold.

This very interesting interview covers: "How do you choose date and time? ; We live in a science fiction world ; Who's creating the future, the scientists and engineers, or the sci-fi writers? ; The philosophical battle between science and capitalism ; How does one go about creating the future on paper? ; Is science becoming too much like a religion? ; Fiction is the steady instrument, science is what evolves ; On which planet or astroid or community from your novels would you most want to live?" and a reading from 2312.


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