3 Jul 2012

Kim Stanley Robinson is continuing the promotion of his latest, 2312.

Very notably, Stan was recently in the UK, where he did a panel with fellow writer and friend Iain M. Banks; they both read from each other's books, talked about writing, and in general had good fun.

(Photos above by Joel Meadows)

This blog has a good round-up of the event.

Stan also appeared in Bath. In this video he reads from the Prologue to 2312.

One of the very best, in-depth interviews of Stan I've seen lately comes from the New Zealand Listener! The interview appeared in print version under an article write-up form, but interviewer David Larsen was kind enough to put the much longer full version online as well. They discuss in detail several aspects of Stan's work, his themes over his enitre career, poetry, literary inspirations, specific plot points, real-life inspirations and trivia, very informative for the Robinsonite! One excerpt:

One of the things 2312 is is a question. Could we both wreck the Earth and have a rather active space civilisation at the same time? Could the Earth be thoroughly wrecked and yet also be flourishing in certain limited respects? I don’t know the answer to those questions. They’re proposals that I’ve put out there, saying could it be this way? Whether it’s physically possible or not I’m not quite sure. I have this double feeling: that the sciences are making us immensely powerful, so that the potential for a flourishing future civilisation a few hundred years from now is really quite realistic, and yet at the same time we’re in this dangerous moment, where we’re thrashing the environment and we have climate change, and it’s quite clear that politically the system is being manipulated by certain people who want to keep the destruction going, because they’re not convinced that it is destructive, or they don’t care because they don’t think it’ll apply to them or their families. So they’re going to be hard to beat, even in the best scenarios, because they have amassed a lot of money and political power resulting from money. So in 2312 I’m contemplating a future that seems to include environmental disasters like the raised sea levels, not at all unrealistic to postulate, and yet at the same time have things flourishing, because of materials science, because of medicine, because of all of the things that we’re learning. The ways we can manipulate nature and biology are becoming rather stupendous with potential. 2312 is an attempt to splash all that into one story. It’s a distorted lens aimed at 2012, at where we are right now.

But the whole thing is worth reading!

For an interview with the Huffington Post, Stan reacts on the privatization of space, on the force of technology, on climate change, on “Happy Space Sad Earth”. An interesting excerpt:

[J]ustice is another climate change technology that we have in the picture except for getting into this weird definition of technology as nothing but a silver bullet that we imagine might help. There's also Jevon's paradox that the better we get at efficiently using energy the more energy we use; so that and that machine technology improvements per se do not necessarily reduce our impacts because we immediately double down on how much we use.

It is important to de-carbonize but also important to make more horizontal the hierarchy of power and wealth. In other words, a world wide middle class that is modestly using resources by way of clean tech is the only real solution.

Stan was invited in the io9 video podcast and talks about 2312 (sadly, the interview feels edited down too much).

Reviews of 2312 are massively pouring in, from professional reviewers and from random bloggers alike. Some are enthusiastically positive, some are more mitigated, there's something for everyone.

The Independent

Everything is a perpetual project of improvement. [...]It goes back to the roots of the sci-fi genre and puts at its centre utopian and dystopian visions of the social models our descendants might inhabit, with a flashy travelogue around the places they might live. It is a novel of ideas that also sets out to be tremendous fun.

The Guardian

Kim Stanley Robinson's 17th novel is complex and sometimes bewildering, 500 pages crammed full of strange but decent characters whose actions play out against a vastly constructed utopian background.

Words Uttered in Haste

2312 is like a Klimt painting on steroids and LSD

Lone Star Ball

[T]he title takes its name from the year in the same way that a book might be titled "1793" or "1848" -- 2312 in this universe is a year looked back upon as a turning point in history, where the events described in the book changed humanity's course.

Empirical Majesteria

The slow, gathering surge toward an epic conclusion merely peters out in the end. [... KSR paints] a picture of humanity as a stagnant people who are merely distracting themselves until they die (ironically delayed due to longevity treatments) [...] As I read the book, I actually thought the protagonist was a thumbnail for a moribund humanity who had reached the limit of its abilities. It was almost as if the human race was bumping up against a wall which, for all of the mind and body enhancements, it could not conceptually break through due to fundamental flaws in its construction.

Booksellers New Zealand

I tried to imagine what it would be like to go back in time to 1712 and to not only explain what the world is like in 2012, but also how it got to that point over the 300 years in between. This is essentially the task that Kim Stanley Robinson sets himself in describing the world in 2312. [...] A divide has sprung up between the spacers (the ‘haves’) and the majority of Earth dwellers (largely the ‘have-nots’) [...] The main issue I had with the book was that 2312 doesn’t quite know what it is trying to be. [...] in general there was just too much information and too many ideas fighting for attention within one book.

...and more from Washington Bus, Chicago Tribune, The Daily Mail, For Winter Nights, Worlds Without End.

Even more coming soon!

3 Jul 2012

Ray Bradbury, 1920-2012

Submitted by Kimon

Science fiction legend Ray Bradbury passed away recently, on June 5th 2012 at the respectable age of 91. Bradbury was of course the writer of one of the novels that defined the image of the planet Mars in the collective consciousness, The Martian Chronicles, a novel referenced in Stan’s Mars trilogy.

Of course, Kim Stanley Robinson and Ray Bradbury share the same home town: Waukegan, Illinois! Stan has also met and has spoken highly of Bradbury in the past. This photo (source) shows Robinson and Bradbury with actresses Nichelle Nichols and Angie Dickinson, at Bradbury’s 83rd anniversary in 2003. The celebration had been covered by Planetary Radio, and included appearances by Bradbury and Robinson.

Upon Bradbury’s passing, Stan had this to say to Wired:

I felt a bond with Ray Bradbury, because we were both born in Waukegan, Illinois, then were moved by our parents to Southern California when we were children. I feel that we both ended up as science fiction writers partly because of this childhood history; southern California has been a science fictional place for a very long time.

Bradbury was one of the first break-out stars from the science fiction community into mainstream American culture, and this was no coincidence but because of his open and welcoming style, and the way his science fiction always focused on the human side of things, adding strong emotions to what had previously been perhaps drier or simpler. He was a great ambassador to the world for science fiction, and was beloved in the science fiction community as well. He was a truly inspirational figure to many, because of his positive nature and his boundless enthusiasm for reading, which he conveyed so well, and for life in general. His fiction always reminds us that no matter what strange future we move into, human emotions will stay central to our story. His best stories and books will be a permanent part of American literature. We were lucky to have him and I’m sorry he’s gone.

Stan also shared memories of Bradbury in this short audio interview for the Takeaway. (a shorter version aired next day).

Thanks to albinoflea for the reasearch!



The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.

(from "The Locusts", The Martian Chronicles)

3 Jun 2012

2312 press continues full speed!

As always, check out the calendar on the left for KSR readings, panels, events, in the USA and in the UK.

The Planetary Society's Planetary Radio podcast interviewed Robinson (direct mp3 link), among recent exciting space-related activity such as the Space X Dragon launch and an appropriately 2312-themed video of Satrun's rings.

Continuing with the interviews, the SF Site interviewed Robinson. Excerpt:

[I]t is an open question whether the space project could be a significant help to humanity in trying to get into balance with the biophysical realities on Earth. I don't think we know the answer to this question, and it won't be easy to answer it without continuing to try to go into space usefully, and see what happens. [...] But no matter what we do in space, Earth will remain at the center of the human story. That's one of the things 2312 tries to say. But mostly the book is asking questions. It's not really saying "this could be," but rather, "could this be?" I think it may be that human civilization is so big and various that different things might happen in different parts of it, and advances in some areas occur despite massive problems elsewhere. But this is mainly a question to be asked; is that possible? Could we bootstrap our way out of some of our problems while they are still vexing us?

SF writer John Scalzi features a short interview with Robinson on his blog. Excerpt:

I was forced to use the Kitchen Sink Theory of Novel Construction—again, of course—indeed, more than ever—but it was necessary, because the future is going to be a wild place, a recombinant multiplicity of clashing elements, a real mess. To do justice to realism these days, the kitchen sink is really nowhere near the end of what needs to get tossed into the mix.

Also, a great hour-long panel with Robinson from last November found its way on YouTube here. Stan discusses "Valuing the Earth and Future Generations: Imagining Post-Capitalism" at the Center for Values in University of Texas at Dallas.


2312 features, among many other systems, an economy that is aided by computers to tune demand with supply. It's interesting to read Stan write about Francis Spufford's recent SF novel Red Plenty, a novel that has had trouble getting categorized as fiction in bookstore (I personally encountered it in the 'History' shelves!).

According to Publishers Weekly, 2312 seems to be doing good at sales!

Reviews also have been pouring in!

Locus (by Gary K. Wolfe):

2312 is as flat-out a celebration of the possibilities of SF as I’ve seen in years, not only in terms of classic space adventure [...], but in terms of gender evolution, quantum computing and artificial intelligence [...], and ecological catastrophe [...]. Robinson takes on so much information here, and so many techniques, that the novel sometimes seems on the verge of flying apart from its own imaginative momentum, but it’s something of a wonder to watch Robinson pull in all the kites in the end. Readers who want only the clean narrative arc of the planet-saving space opera that anchors the narrative might find a good two-thirds of the novel a distraction, but for the rest of us it’s a catalog of wonders.

Tor.com (Stefan Raets):

Remember that U2 song “Tryin’ to Throw Your Arms around the World” from Achtung Baby? 2312 feels like Kim Stanley Robinson trying to throw his arms around the solar system, bringing the intimately personal sphere into the system-wide one, and vice versa. The result is easily one of the best science fiction novels of the year so far: a challenging, sprawling, multi-layered story that will provide food for thought long after you turn the final page.


Kim Stanley Robinson, whose new novel, 2312 , is his boldest trip into all of the marvelous SF genres—ethnography, future shock, screed against capitalism, road to earth—and all of the ways to thrill and be thrilled. It's a future history that's so secure and comprehensive that it reads as an account of the past—a trick of craft that belongs almost exclusively to the supreme SF task force of Le Guin and Margaret Atwood.

Huffington Post:

His new book 2312 is bursting with so many ideas and vivid characters that readers will be almost upset to hear it's a stand-alone. How could anyone create such a vivid, believable, mind-bursting future and not want to explore it further?

And also reviews in Fantasy Fiction, Tzer Island and USA Character Approved.


Finally, a funny bit of trivia: the Linux Mint 13 has been named "Maya", in part in reference to Maya Toitovna!

(Pictured above: Saturn and some of its moons, from APOD)


22 May 2012

2312 interviews & reviews

Submitted by Kimon

2312 is out, and of course Kim Stanley Robinson is out there to promote it (check calendar on the left).



Robinson was interviewed by Space.com: Part 1 (Terraforming the Solar System) and Part 2 (The Future in 2312). Terraforming, public vs private space exploration, Mondragon, genders and body modifications, it's all here.

[2312 is] far enough out that it gives you time to think about the differences between now and 1712, if you run it in the other direction.

Robinson also reacts in another Space.com article on space exploration and science fiction.

"Beyond the solar system' is too far away. [...] It's a joke and a waste of time to think about starships or inhabiting the galaxy. It's a systemic lie that science fiction tells the world that the galaxy is within our reach."

Head over to Wired.com and their podcast Storyboard for an hour-long interview with Robinson! Hear about 2312, time travel, Antarctica and the future of humanity in Storyboard 82 (direct mp3 download here).

Robinson was also interviewed by SciFiNow and provides many insights in the thinking that went behind 2312. Excerpts:


The idea that sparked it had to do with the central story, a romance between two people, one from Mercury, the other from Saturn (with matching personality traits). I needed a solar system-wide culture to make it possible for people to be living in those two places, and it grew from there.

What do you model your future society’s on in 2312? Is there a base coat that we can find on Earth today?

China, the West, the under-developed world, vampire capitalism, alternative economies like that in Mondragon, Spain, technological advances and environmental damage, the uneasy mix of hope and fear, utopia and catastrophe—all these are already here, and in the case of this book, being displayed as if from three hundred years further on.


I am mostly at ease with being thought of as political. Science fiction, by postulating future histories, always contains theories of history and theories of human nature, so political philosophy is simply part of the genre. Ignoring that, or pretending that you can dodge that, is to try to reduce science fiction to nothing more than a game. But as fun as it is, science fiction can be so much more than a game.


And of course, the reviews are coming! Apart from a review in Locus Magazine, several have appeared online.

SF Signal:

2312 is a thoughtful read, and I’m glad that I took my time while I read it. While slow and ponderous, I found myself struck by the concepts that Robinson was pushing forward, scientifically, and socially. This novel takes space opera and makes it truly epic in a way that I really haven’t read in a while, and imparts a sense of wonder in our surroundings that made this a very good read.

Wall Street Journal:

The real hero of "2312" is human enterprise. There are so many things we could do! Jog round Mercury like the rolling city, dawn always coming up behind you. Use orbiting mirrors to burn the canals back into the surface of Mars and make the Ray Bradbury images come true. Create giant artworks on the surface of Jovian moons. One thing we can't do, in Mr. Robinson's view, echoing Arthur Clarke's, is go star-traveling; even the nearest stars are out of our reach. The solar system is what we've got, and we need to do better with it than we have done with Earth.

The Wertzone:

2312 is Kim Stanley Robinson's first widescreen, big-budget, blockbuster SF novel in some considerable time.

Little Red Reviewer:

Existentially sprawling, and scientifically fascinating yet completely accessible,  I’m reluctant to categorize 2312 as science fiction.


(Pictured above: land art by Andy Goldsworthy, photo by the CASS Sculpture Foundation; Goldsworthy is an influence in the world of 2312)


22 May 2012

SF writers Robinson and Paolo Bacigalupi (of The Windup Girl fame) recently (May 12) appeared together at the Whole Earth Festival in Davis, where Robinson lives. The Whole Earth Festival exists in Davis since 1969. In an interview with Davis Enterprise, Robinson provided some thoughts on his writing and Bacigalupi:

Readers of Robinson’s other books also will recognize that the story in “2312″ is set several decades after the events in Robinson’s landmark Mars trilogy.

“There’s a line from Ursula Le Guin through me that extends to Paolo,” Robinson said, “a kind of green environmentalist strand of science fiction. It’s not a dominant strand in the field, but it is important.”

This is the first time the two have met.


On May 13, Robinson gave the Commencement Address for the UC Berkeley English Department. A short clip of this apparently very entertaining talk has surfaced on the internet here (despite poor audio quality).



Also, during his UK tour in June, Robinson will be appearing with fellow SF writer and friend Iain (M.) Banks (of the Culture books fame) in London.


Links: British Library | Forbidden Planet | Orbit Books announcement

Saturday 9th June 2012
Doors 3pm for a 3.30pm start, followed by a signing at 5pm
Tickets £7.50, concessions £5 – available here

Conference Centre
The British Library
96 Euston Road
London NW1 2DB
United Kingdom

Check out the calendar on the left for more 2312 promo events with Robinson! (USA and UK so far)


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